Radio Tania

Warhol, The Oscars, Fame

For the past couple of weeks, I have aired pieces played earlier this year—two interviews with two directors up for Academy Awards. Those directors were Ari Folman of Waltz with Bashir and Laurent Cantet of The Class. Neither won the Academy Award and, in light of Mickey Rourke's loss, I wonder what value the Oscar has (even Sean Penn seemed shocked when he got the award against Rourke). The point being that both these films were great surprises. The Class continues to be chronicled, reviewed and revered in well respected publications across the globe. Waltz with Bashir was a groundbreaking work and well worth the fiscal sacrifices Folman took to create the film. While neither walked away with a gold statue, I still would have voted for them and, in my heart, they won. So after two weeks of repeats, I have just posted a new piece about Warhol and his relationship to music. The interview was with respected curator Tim Burgard, who restructured my thoughts about Warhol. Like many, I saw Warhol as an aloof, self interested, blown up artist but the truth is that he brought portraiture back into modern art, he is one of the most important and prolific filmmakers of our time and he was able to revive the communal aspect of art making by bringing people together to create great work. His open door policy and his keen eye changed people's lives and that is the best thing you can do while alive, make a difference. Check the interviews out and listen to the podcast, Sight Unseen, on iTunes.

 

Fiction, Fantasy and the Power of Film

This past year, I have had the honor of interviewing some extraordinary filmmakers, all of whom navigate this fine line between fact and fiction. Maybe all filmmakers do that (now that I think about it!) but it seemed to come up over and over again. Charlie Kaufman's Synecdoche, NY moved me to tears (honestly). And Steve Buscemi's Interview really got under my skin. John Waters' Pink Flamingos simply shocked me. Today, I had a lovely conversation with Laurent Cantet who made The Class, a film that looks at the racially diverse, inner city classroom in Paris and the clashes that arise amongst students and with the teacher. Speaking with Cantet reminded me of the work of Frederick Wiseman, who made a cinema verité documentary called High School in the 70s. I also interviewed Frederick Wiseman early on when I still worked at WBAI. He had just made a film in Paris, so maybe everything comes together full circle.