The work of Sarah Bostwick is unassuming, from far you may not even be able to recognize what she is revealing. Here titles, of course, give it all away. Her work is reminiscent of Arp reliefs, of Gordon Matta-Clark, who at one point purchased all the spaces between buildings in a section of New York, or even Rachel Whiteread, who observes the surfaces of places, the edges, dents, contours, removing the interior to reveal the ever more fascinating exterior. Bostwick does much the same, reminding us of the things we miss when we think we are looking so closely.
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